Dilshad Hussain 发布
漂浮足球传承王座海报
产品营销 · 海报 / 传单 · 电影感 / 电影剧照 · 3D 渲染
来自相同模型和分类的相关提示词。
Dilshad Hussain 发布
产品营销 · 海报 / 传单 · 电影感 / 电影剧照 · 3D 渲染




Generates a dreamy cinematic city poster of Paris at sunrise with a giant translucent onion pavilion, café scene, and bilingual morning greeting typography.
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Create a cinematic wide city poster for Paris at sunrise, combining a romantic café scene with a surreal giant-object aesthetic. The composition is a 16:9 horizontal poster: the left two thirds are dominated by an enormous translucent red onion sliced open into sweeping concentric purple-pink arcs, each layer glossy, semi-transparent, and covered with sparkling dew droplets; the onion functions like a monumental architectural shell or pavilion beside the river. At the lower left, place a tiny Parisian café with a pink-and-white striped awning, warm interior light, a sign reading “Café de Paris,” potted flowers, a black menu board, a vintage streetlamp, wicker chairs, and small round café tables. Include exactly 8 visible human figures: 3 seated diners at the main foreground table, 1 standing waiter beside them in black vest and white apron, 2 seated guests at a midground table under the onion arch, and 2 seated guests at a farther right table near the water. The right third opens to a soft-focus Seine riverside view with a bridge and the Eiffel Tower in the hazy distance. Use pastel dawn lighting, peach-pink sky, golden rim light, shallow depth of field, reflective wet pavement, delicate bokeh, dreamy luxury travel-advertising mood, hyperreal 3D realism blended with painterly cinematic softness. Add elegant bottom-right typography: large Chinese headline “早安,巴黎” with smaller English subtitle “Good Morning, Paris” beneath it, both in a refined thin serif font, muted plum color, spacious letter spacing. Avoid modern cars, clutter, extra landmarks, extra text, logos, or watermarks.
Create a cinematic wide city poster for Paris at sunrise, combining a romantic café scene with a surreal giant-object aesthetic. The composition is a 16:9 horizontal poster: the left two thirds are dominated by an enormous tran…