Endless Megastructure Fall

Create a vertical 2:3 ultra-detailed anime illustration titled by mood as endless structure: one young person, a faceless windblown youth, is falling backward through an immense infinite architectural construction site, seen from a dramatic high-angle fisheye perspective looking down into a dizzying vertical abyss. The character is centered slightly above the middle, body foreshortened, arms reaching upward, legs spread toward the viewer, long dark hair flying, face intentionally blurred or featureless, wearing a loose off-white work jumpsuit with rolled sleeves and cropped pants, green safety harness straps, white socks, and chunky gray-white sneakers with red accents and highly detailed soles. Surround the figure with an impossibly dense lattice of scaffolding, cables, wireframe beams, catwalks, cranes, towers, glass tubes, capsules, spherical observation pods, circular platforms, elevators, pipes, and unfinished building modules, all receding endlessly downward. Use exactly one main falling figure and include at least five prominent construction cranes or crane-like structures: one large red tower crane on the left edge, one yellow overhead crane near the upper left, one yellow crane near the upper center, one red crane arm on the right, and one red tower crane crossing the lower right. Add many tiny silhouetted workers on distant catwalks for scale, but keep them secondary. The architecture should mix white concrete megablocks, transparent blue glass cylinders, yellow capsule bridges, red structural frames, green walkways, circular orbital rails, and fine black engineering linework, like a futuristic city under permanent construction. Style: highly intricate Japanese sci-fi illustration, clean ink lines, watercolor and marker-like color, obsessive architectural detail, transparent technical drawing overlays, bright daylight, pale cream background, saturated red/yellow/blue/green accents, cinematic vertigo, no readable signage except an optional small handwritten date and signature in the bottom right reading May 29, 2026 Oyagi. Make the composition feel vast, weightless, chaotic, and endless, with the falling figure as the only large human subject.